developed with YouTube
Beethoven - Symphony No.7 in A major op.92 - II, Allegretto

Beethoven - Symphony No.7 in A major op.92 - II, Allegretto

  • Order:
  • Duration: 8:47
  • Updated: 23 Jun 2010
  • views: 2988282
videos https://wn.com/Beethoven_Symphony_No.7_In_A_Major_Op.92_Ii,_Allegretto
L. V. Beethoven - Violin Concerto in D major Op, 61 (David Oistrakh)

L. V. Beethoven - Violin Concerto in D major Op, 61 (David Oistrakh)

  • Order:
  • Duration: 45:37
  • Updated: 26 Apr 2012
  • views: 330314
videos
Ludwig Van Beethoven - Violin Concerto in D major Op.61 Complete Full Concerto Ludwig van Beethoven's Violin Concerto in D major, Op. 61, was written in 1806. The work was premiered on 23 December 1806 in the Theater an der Wien in Vienna. Beethoven wrote the concerto for his colleague Franz Clement, a leading violinist of the day, who had earlier given him helpful advice on his opera Fidelio. The occasion was a benefit concert for Clement. However, the first printed edition (1808) was dedicated to Beethoven's friend Stephan von Breuning. It is believed that Beethoven finished the solo part so late that Clement had to sight-read part of his performance. Perhaps to express his annoyance, or to show what he could do when he had time to prepare, Clement is said to have interrupted the concerto between the first and second movements with a solo composition of his own, played on one string of the violin held upside down; however, other sources claim that he did play such a piece but only at the end of the program. The premiere was not a success, and the concerto was little performed in the following decades. The work was revived in 1844, well after Beethoven's death, with performances by the then 12-year-old violinist Joseph Joachim with the orchestra conducted by Felix Mendelssohn. Ever since, it has been one of the most important works of the violin concerto repertoire, and it is frequently performed and recorded today. Structure The work is in three movements: Allegro ma non troppo (D major) Larghetto (G major) Rondo. Allegro (D major)
https://wn.com/L._V._Beethoven_Violin_Concerto_In_D_Major_Op,_61_(David_Oistrakh)
Beethoven, Sonata para piano Nº 1 en fa menor Opus 2 Nº 1. Daniel Barenboim, piano

Beethoven, Sonata para piano Nº 1 en fa menor Opus 2 Nº 1. Daniel Barenboim, piano

  • Order:
  • Duration: 19:18
  • Updated: 08 Jan 2013
  • views: 526749
videos
Ludwig van Beethoven (1770 - 1827) Sonata para piano Nº 1 en fa menor Opus 2 Nº 1. [F minor/fa mineur] 1. Allegro 2. Adagio 3. Menuetto, Allegretto 4. Prestissimo Daniel Barenboim, piano. La sonata para piano n.º 1 en fa menor Opus 2 n.º 1 de Ludwig van Beethoven data de 1796 y está dedicada a Joseph Haydn. Pese a que esta inaugura su ciclo de 32 sonatas para piano, no es la más temprana. Antes de su publicación fueron compuestas las sonatas n.º 19 y n.º 20, y sus tres Sonatinas WoO 47. ---
https://wn.com/Beethoven,_Sonata_Para_Piano_Nº_1_En_Fa_Menor_Opus_2_Nº_1._Daniel_Barenboim,_Piano
Janine Jansen & friends - Beethoven: Septet in Es-groot, op. 20

Janine Jansen & friends - Beethoven: Septet in Es-groot, op. 20

  • Order:
  • Duration: 46:01
  • Updated: 01 Jan 2012
  • views: 237018
videos
Meer klassiek op http://klassiek.avro.nl Beethoven: Septet in Es-groot, op. 20 Uitvoerenden: Janine Jansen, viool Dana Zemtsov, altviool Jens Peter Maintz, cello Stacey Watton, contrabas Martin Fröst, klarinet Jasper de Waal, hoorn Fredrik Ekdahl, fagot Opgenomen tijdens het Internationaal Kamermuziek Festival Utrecht 2011 van Janine Jansen. Recorded during Janine Jansen's International Chamber Music Festival Utrecht 2011. http://www.kamermuziekfestival.nl/
https://wn.com/Janine_Jansen_Friends_Beethoven_Septet_In_Es_Groot,_Op._20
Daniel Barenboim plays Beethoven Sonata No. 8 Op. 13 (Pathetique)

Daniel Barenboim plays Beethoven Sonata No. 8 Op. 13 (Pathetique)

  • Order:
  • Duration: 20:19
  • Updated: 05 Aug 2013
  • views: 2757538
videos
Master of all things Beethoven, Daniel Barenboim breathes fresh life into the timeless Pathetique Sonata. With a rare combination of artistic prowess and erudite knowledge, Barenboim demonstrates a deep understanding of this music that can be simultaneously appreciated on both a cerebral and emotional level. I. Grave -- Allegro di molto e con brio 0:19 II. Adagio cantabile 9:46 III. Rondo: Allegro 15:11 The posting of this video meets the requirements of Fair Use. I do not own any copyright licenses for this video nor do I stand to gain financially from it's posting in any way whatsoever. This video has been posted for educational purposes to incite commentary, criticism and analysis. I strongly encourage all viewers to buy this fantastic DVD collection which includes performances by Daniel Barenboim of all 32 Beethoven Sonatas by following this link: http://www.amazon.com/Barenboim-Beethoven-Complete-Sonatas-Berlin/dp/B000KWZ7VU/ref=sr_1_2?ie=UTF8&qid=1375724619&sr=8-2&keywords=barenboim+on+beethoven
https://wn.com/Daniel_Barenboim_Plays_Beethoven_Sonata_No._8_Op._13_(Pathetique)
Beethoven Tempest Sonata No. 17, Opus 31 No. 2 in D minor, Allegretto by Tzvi Erez

Beethoven Tempest Sonata No. 17, Opus 31 No. 2 in D minor, Allegretto by Tzvi Erez

  • Order:
  • Duration: 7:15
  • Updated: 06 May 2009
  • views: 589505
videos
Buy Now on iTunes: http://smarturl.it/BeethovenSonatas Tzvi Erez plays Beethoven's Piano Sonata No. 17, Opus 31 No. 2 in D minor, Allegretto. Recorded on a 1912 Bosendorfer in February 2000. Beethoven's Piano Works. P & C 2001 Niv Classical. http://www.nivmusic.com Advertising without the permission of the copyright holder is Strictly Prohibited.
https://wn.com/Beethoven_Tempest_Sonata_No._17,_Opus_31_No._2_In_D_Minor,_Allegretto_By_Tzvi_Erez
Beethoven - Moonlight Sonata (FULL)

Beethoven - Moonlight Sonata (FULL)

  • Order:
  • Duration: 15:00
  • Updated: 15 Dec 2010
  • views: 97876050
videos
Beethoven - Moonlight Sonata (FULL) - Piano Sonata No. 14 http://www.facebook.com/9Beethoven https://twitter.com/YtAndrearomano6 The Piano Sonata No. 14 in C♯ minor "Quasi una fantasia", op. 27, No. 2, by Ludwig van Beethoven The sonata has three movements: 1 mvt: Adagio sostenuto. 2 mvt: Allegretto (click to go at 6:00 min). 3 mvt: Presto agitato (click to go at 8:05 min). Adagio sostenuto The first movement, in C♯ minor, is written in an approximate truncated sonata form. The movement opens with an octave in the left hand and a triplet figuration in the right. A melody that Hector Berlioz called a "lamentation", mostly by the right hand, is played against an accompanying ostinato triplet rhythm, simultaneously played by the right hand. The movement is played pianissimo or "very quietly", and the loudest it gets is mezzo forte or "moderately loud". The adagio sostenuto has made a powerful impression on many listeners; for instance, Berlioz said of it that it "is one of those poems that human language does not know how to qualify. The work was very popular in Beethoven's day, to the point of exasperating the composer himself, who remarked to Carl Czerny, "Surely I've written better things. Allegretto The second movement is a relatively conventional scherzo and trio, a moment of relative calm written in D-flat major, the enharmonic equivalent of C♯ major, the more easily-notated parallel major of C♯ minor. Franz Liszt described the second movement as "a flower between two chasms."[citation needed] The slight majority of the movement is in piano, but a handful of sforzandos and forte-pianos helps to maintain the movement's cheerful disposition. Presto agitato The stormy final movement (C♯ minor), in sonata form, is the weightiest of the three, reflecting an experiment of Beethoven's (also carried out in the companion sonata, Opus 27, No. 1 and later on in Opus 101) placement of the most important movement of the sonata last. The writing has many fast arpeggios and strongly accented notes, and an effective performance demands lively and skillful playing. It is thought that the C-sharp minor sonata, particularly the third movement, was the inspiration for Frédéric Chopin's Fantaisie-Impromptu, which manifests the key relationships of the sonata's three movements. Of the final movement, Charles Rosen has written "it is the most unbridled in its representation of emotion. Even today, two hundred years later, its ferocity is astonishing. Beethoven's heavy use of sforzando notes, together with just a few strategically located fortissimo passages, creates the sense of a very powerful sound in spite of the predominance of piano markings throughout. Within this turbulent sonata-allegro, there are two main themes, with a variety of variation techniques utilized. Beethoven's pedal mark See also: Piano history and musical performance, Mute (music), and Piano pedals#Beethoven and pedals At the opening of the work, Beethoven included a written direction that the sustain pedal should be depressed for the entire duration of the first movement. The Italian reads: "Si deve suonare tutto questo pezzo delicatissimamente e senza sordino". ("One must play this whole piece [meaning "movement"] very delicately and without dampers.") The modern piano has a much longer sustain time than the instruments of Beethoven's day, leaving for a rather blurry and dissonant tone. One option for dealing with this problem is to perform the work on a restored or replicated piano of the kind Beethoven knew. Proponents of historically informed performance using such pianos have found it feasible to perform the work respecting Beethoven's original direction.
https://wn.com/Beethoven_Moonlight_Sonata_(Full)
Beethoven - Cello Sonata No. 3 in A major, Op. 69 (Paul Tortelier & Eric Heidsieck)

Beethoven - Cello Sonata No. 3 in A major, Op. 69 (Paul Tortelier & Eric Heidsieck)

  • Order:
  • Duration: 26:16
  • Updated: 09 May 2012
  • views: 937028
videos
00:00 - Allegro, ma non tanto 12:28 - Scherzo. Allegro molto 17:44 - Adagio cantabile - Allegro vivace Paul Tortelier, cello Eric Heidsieck, piano 1972
https://wn.com/Beethoven_Cello_Sonata_No._3_In_A_Major,_Op._69_(Paul_Tortelier_Eric_Heidsieck)
Beethoven: Sonata "Pathetique" Op. 13 - I. Grave. Allegro di molto e con brio

Beethoven: Sonata "Pathetique" Op. 13 - I. Grave. Allegro di molto e con brio

  • Order:
  • Duration: 8:33
  • Updated: 17 Aug 2010
  • views: 1676435
videos
Annie Fischer, piano Beethoven: Piano Sonata "Pathetique" no. 8 in c minor Op. 13 I. Grave. Allegro di molto e con brio http://www.youtube.com/watch?v=kqvBJc9IovI II. Adagio cantabile http://www.youtube.com/watch?v=iCL5sHzlDOI III. Rondo. Allegro http://www.youtube.com/watch?v=Ifj8dwuAzAQ
https://wn.com/Beethoven_Sonata_Pathetique_Op._13_I._Grave._Allegro_Di_Molto_E_Con_Brio
Krystian Zimerman - Beethoven - Piano Concerto No 3 in C minor, Op 37

Krystian Zimerman - Beethoven - Piano Concerto No 3 in C minor, Op 37

  • Order:
  • Duration: 37:46
  • Updated: 27 Sep 2013
  • views: 424950
videos https://wn.com/Krystian_Zimerman_Beethoven_Piano_Concerto_No_3_In_C_Minor,_Op_37
AmericanStringQuartet- Beethoven op.131

AmericanStringQuartet- Beethoven op.131

  • Order:
  • Duration: 38:52
  • Updated: 05 Feb 2013
  • views: 417999
videos
American String Quartet, Beethoven op.131. Live at Tel Aviv Museum, January 2013 Filmed by Gilad Shabani-Shoofan, (Gilad and Mazal Photographers http:menatworkblog.tumblr.com) Violin- Peter Winograd, Laurie Carney Viola - Dan Avshalomov Cello - Wolfram Koessel
https://wn.com/Americanstringquartet_Beethoven_Op.131
Beethoven Clarinet Trio in B-Flat Major, Opus 11  — Camerata Pacifica

Beethoven Clarinet Trio in B-Flat Major, Opus 11 — Camerata Pacifica

  • Order:
  • Duration: 22:37
  • Updated: 23 Feb 2012
  • views: 224625
videos
Recorded live at Camerata Pacifica's February 10, 2012 performance at Santa Barbara's Hahn Hall at the Music Academy of the West. José Franch-Ballester, Ani Aznavoorian & Warren Jones perform Beethoven's B-Flat Major Clarinet Trio, Opus 11. http://www.cameratapacifica.org. Camerata Pacifica is a chamber music ensemble based in Santa Barbara that performs a monthly series of concerts in Santa Barbara, Ventura, San Marino, and Zipper Hall in Downtown Los Angeles. Founded by Adrian Spence in 1990, the group is composed of the finest performers of chamber music from around the world. The ensemble is distinctive for artistic excellence, an innovative approach to classical music and a repertoire that ranges from baroque to brand new, from familiar masterworks to works that have yet to become favorites.
https://wn.com/Beethoven_Clarinet_Trio_In_B_Flat_Major,_Opus_11_—_Camerata_Pacifica
Beethoven - Symphony No. 3 in E flat major (Op. 55) Eroica Berliner Philharmoniker

Beethoven - Symphony No. 3 in E flat major (Op. 55) Eroica Berliner Philharmoniker

  • Order:
  • Duration: 51:19
  • Updated: 28 Apr 2012
  • views: 316984
videos
Ludwig van Beethoven Symphony No. 3 in E flat major (Op. 55),Berliner Philharmoniker Symphony Numer Three Eroica By Beethoven also known as the Eroica (Italian for "heroic"), is a landmark musical work marking the full arrival of the composer's "middle-period," a series of unprecedented large scale works of emotional depth and structural rigor. The symphony is widely regarded as a mature expression of the classical style of the late eighteenth century that also exhibits defining features of the romantic style that would hold sway in the nineteenth century. The Third was begun immediately after the Second, completed in August 1804, and first performed 7 April 1805. Instrumentation The symphony is scored for 2 flutes, 2 oboes, 2 clarinets in B flat, 2 bassoons, 3 horns in E flat, 2 trumpets in E flat and C, timpani in E flat and B flat, and strings. Form The piece consists of four movements: Allegro con brio Marcia funebre: Adagio assai in C minor Scherzo: Allegro vivace Finale: Allegro molto The performance time is about 50 minutes.
https://wn.com/Beethoven_Symphony_No._3_In_E_Flat_Major_(Op._55)_Eroica_Berliner_Philharmoniker
Beethoven "Moonlight" Sonata op 27 # 2 Mov 3 Valentina Lisitsa

Beethoven "Moonlight" Sonata op 27 # 2 Mov 3 Valentina Lisitsa

  • Order:
  • Duration: 6:48
  • Updated: 19 Jan 2010
  • views: 24540932
videos
Recording in Beethovensaal, Hannover Germany, Dec 2009. Wilhelm Kempff recorded Beethoven cycle in the very same hall. Buy Moonlight Sonata DVD http://www.amazon.co.uk/Live-Royal-Albert-Hall-DVD/dp/B008B11S1A/ref=pd_sim_m_h__1/280-8455980-3697964 Valentina Lisitsa Live at the Royal Albert Hall US iTunes - http://bit.ly/iTunesUSVal US Amazon - http://bit.ly/ValRAH
https://wn.com/Beethoven_Moonlight_Sonata_Op_27_2_Mov_3_Valentina_Lisitsa
Ludwig van Beethoven - Piano Sonata No. 1, Op. 2 No. 1 [Complete] (Piano Solo)

Ludwig van Beethoven - Piano Sonata No. 1, Op. 2 No. 1 [Complete] (Piano Solo)

  • Order:
  • Duration: 18:01
  • Updated: 20 Dec 2012
  • views: 511098
videos
Beethoven's Piano Sonata No. 1 in F minor, Op. 2, No. 1, was written in 1795 and dedicated to Joseph Haydn. It is the first piano sonata written by Beethoven. A typical performance of the entire work lasts about 17-20 minutes. Performed by Daniel Baranboim. The sonata is in four movements: 0:00 1. Allegro in F minor 3:53 2. Adagio in F major 9:16 3. Menuetto - Allegretto in F minor 13:00 4. Prestissimo in F minor Sorry for that. I don't know why the video and the audio is not match after uploaded on YouTube :(
https://wn.com/Ludwig_Van_Beethoven_Piano_Sonata_No._1,_Op._2_No._1_Complete_(Piano_Solo)
© Beethoven's 5th Piano  E-flat major, Op. 73 (Emperor) - Daniel Barenboim (whole concert)

© Beethoven's 5th Piano E-flat major, Op. 73 (Emperor) - Daniel Barenboim (whole concert)

  • Order:
  • Duration: 44:14
  • Updated: 16 Mar 2012
  • views: 1679244
videos
Beethoven's 5th Piano concert (Emperor) - Daniel Barenboim Det kongelige kapel - Michael Schønvandt i Danmarks Radio Koncerthuset 2009 ved prisoverrækkelsen i København af Sonningprisen 2009 på 600,000 DKK ~ 125.000 US$ ~ The Sonning Prize Award is always held in Copenhagen, Denmark. ! The copyright © owner to all content in this video with The Royal Orchestra & Daniel Barenboim conducted by Michael Schønwandt, is entirely Danmarks Radio! Also listen to Barenboims version of Noctune op. 27 no 2 by Chopin: http://www.youtube.com//watch?v=7EcERd6E0ws
https://wn.com/©_Beethoven's_5Th_Piano_E_Flat_Major,_Op._73_(Emperor)_Daniel_Barenboim_(Whole_Concert)
Beethoven, Sonata para piano Nº 5 en do menor Opus 10 Nº 1. Daniel Barenboim, piano

Beethoven, Sonata para piano Nº 5 en do menor Opus 10 Nº 1. Daniel Barenboim, piano

  • Order:
  • Duration: 19:31
  • Updated: 18 Feb 2013
  • views: 211527
videos
Ludwig van Beethoven (1770-1827) Sonata nº 5 en do menor, Opus 10 nº 1. 1. Allegro molto e con brio 2. Adagio molto 3. Finale: Prestissimo Daniel Barenboim, piano. La Sonata para piano nº 5 en do menor Opus 10 nº 1 de Ludwig van Beethoven fue compuesta entre 1796 y 1798, contando su autor con poco mas de 26 años, y fue dedica a la condesa Anna Margarete von Browne. ---
https://wn.com/Beethoven,_Sonata_Para_Piano_Nº_5_En_Do_Menor_Opus_10_Nº_1._Daniel_Barenboim,_Piano
Ludwig van Beethoven - String Quartet No. 14, Op. 131

Ludwig van Beethoven - String Quartet No. 14, Op. 131

  • Order:
  • Duration: 38:52
  • Updated: 20 Sep 2015
  • views: 221087
videos
- Composer: Ludwig van Beethoven (17 December 1770 -- 26 March 1827) - Performers: Takács Quartet - Year of recording: 2003 String Quartet No. 14 in C sharp minor, Op. 131, written in 1826. 00:00 - 1. Adagio ma non troppo e molto espressivo 08:03 - 2. Allegro molto vivace 11:00 - 3. Allegro moderato 11:43 - 4. Andante ma non troppo e molto cantabile 25:10 - 5. Presto 30:12 - 6. Adagio quasi un poco andante 32:30 - 7. Allegro Despite its opus number, this quartet came after the "Fifteenth" Op. 132 from 1825, one of three composed to meet a commission from Prince Nikolai Golitzin. The others were Nos. 12 and 13. Like the Thirteenth and Fifteenth, this C sharp minor Quartet consists of more than the usual three or four movements. There are, in fact, seven movements to this massive work, and its form, as one might suspect, is also most unusual. - The quartet begins with a fugue, marked Adagio ma non troppo e molto espressivo. The mood throughout is somber, but with a religiosity and tenderness that seem to suggest the composer's sense of his own mortality (Beethoven died in March 1827, a year after this composition). Near the end of this movement the music fades, then leads directly into... - the second movement, marked Allegro molto vivace, which seems as if it could be a more typical first movement. It begins at a pianissimo level with a theme that might seem more suited to a Rondo finale. A transitional theme appears next, and eventually we arrive at a second subject. The material is reprised but afterward there follows no actual development section. Instead, an expanded coda develops the transitional theme. At this juncture, the traditional sonata-allegro form seems obscured. - The third movement begins without pause, and actually serves as a brief interlude to... - the long slow movement, which is marked Andante ma non troppo e molto cantabile. It consists of a theme and six variations, most of which involve harmony rather than the essence of the melody itself. This movement is one of the most profound and complex Beethoven ever fashioned in the chamber genre. Each variation is played in a different tempo, thus creating a true "variety" that, to some ears, may seem at first to impart a disjointed quality. Yet, Beethoven's invention and cleverness are present everywhere. The fifth variation, for instance, with its deftly-wrought syncopation, is wonderfully mysterious and the coda slyly starts off as if it will become yet another variation, but it subtly returns to the main themes, then brings the movement to a close with a gentle fade. - The Presto fifth movement is brimming with energy and charm. It is an attractive, humorous Scherzo with a trio section and may be, despite a few innovative touches by Beethoven, the most traditional of the movements comprising this quartet. Its rather abrupt and harsh ending leads to a brief interlude-like Adagio quasi un poco andante. - The sixth movement, like the third, is very brief. - The finale begins with a gruff theme, that is immediately followed by a less fierce but darker theme. A third melody is introduced shortly afterward, closer in character to the last, but expressing sadness and melancholy. The themes reappear, with the form thus far seeming to suggest the movement could be a Rondo. But Beethoven veers toward thematic development, as if to say he has finally found his way to the sonata-allegro form. There follows a recapitulation but with many highly imaginative changes in the previous material. A powerful and tragic coda closes what many consider Beethoven's greatest quartet. It was first published in Mainz in 1827 and was dedicated to Baron Joseph von Stutterheim.
https://wn.com/Ludwig_Van_Beethoven_String_Quartet_No._14,_Op._131
Beethoven: Sonata No.31 in A-flat Major, Op.110 (Lortie, Siirala, Kovacevich)

Beethoven: Sonata No.31 in A-flat Major, Op.110 (Lortie, Siirala, Kovacevich)

  • Order:
  • Duration: 59:05
  • Updated: 06 Feb 2017
  • views: 50959
videos
The most warmly lyrical of all of Beethoven’s late sonatas, and probably my favourite of all 32. Why? Well, to start with the obvious: In a late sonata, where you’d expect ambiguity, radical structural innovation, gnarled counterpoint – a conventional 1st movement, with a theme so simple and unadorned [0:18] its only warrant, really, is its beauty. The development is not just simple but consciously minimalist, and the shift to and from E Maj in the recapitulation [3:36; 4:09] is exquisitely beautiful. There is also the structural tightness of the sonata. The opening bars of the sonata become the subject of the first fugue in the last movement, and, in an inverted form, the subject of the second fugue also. The opening phrase of the 2nd movement scherzo [6:24] also becomes transformed into the arioso of the final movement [10:26]. So Beethoven does not just shift the focus of the sonata form from first movement to last, or even use the final movement to unify the other two – in this sonata, the final movement is where the themes presented in other two really take flight, and the final movement is almost entirely built around material already presented. Also, that last movement. It features the most sophisticated use of counterpoint of all 32 sonatas: not because the contrapuntal writing is ingenious (which it is, but Sonatas No.28 + 29 have got that too), but because the counterpoint is used (maybe for the first time in musical history) as part of a dramatic narrative. The final movement is basically a struggle between the arioso theme, which is not merely sad but crushingly hopeless (dolente = painful, aching, ermattet = exhausted) to the point of its literally breaking up the second time it’s presented, and the fugue, which radiates an inner strength and consolation. In the end, the fugue wins, but in an extraordinary way. The second fugue does not merely achieve a triumphant shape: it burns itself out of existence. As the texture thickens and intensifies with inversions and simultaneous presentations of augmentations and diminuitions [57:30], suddenly there are just two voices duelling in ecstasy [57:53, with the shift to 2 voices at 58:05], incessantly reaching higher, and then suddenly there is just one voice, the main theme pouring out in a great chorale [58:19]. It’s my favourite moment in all the 32 sonatas – a theme that leaps out of its own chasm of counterpoint, and when finally freed rings with a kind of joy which should be impossible after the arioso but somehow isn’t. And because the fugue theme is really the opening bars of the entire sonata, the sonata has an open-ended, cyclic form, with the basic movement over the entire piece being from lyricism (the opening) to hope (the final bars). MVT I EXPOSITION 00:00 – Theme 1 00:41 – Transition (a highly abstracted form of the melody that just preceded it) 01:05 – Theme (Group) 2 02:12 –DEVELOPMENT (Note how compressed it is, and how reliant on counterpoint) 03:03 – RECAPITULATION (Theme 1 is combined with the Transition theme in the LH) 05:59 – CODA MVT II 06:24 – Scherzo 07:04 – Trio (Cleverly constructed out of large upward leaps and downward descents: Beethoven’s manuscript shows he struggled a lot working out of figuration of this section) 07:31 – Scherzo 08:13 – CODA/transition MVT III 08:30 – INTRODUCTION 10:26 – ARIOSO (the melody is built from the downward gesture that opens the scherzo) 12:52 – FUGA I (The fugue subject is built from an ascending chain of fourths, and is derived from the sonata’s opening phrase. The countersubject is built from a descending chain of fourths.) 15:13 – ARIOSO (note how the melody is broken up, “sobbing”) 18:00 – FUGA II (The fugue subject is a straightforward inversion of the first fugue’s subject. If there was any doubt about the narrative structure of this movement Beethoven has marked this section wieder auflebend = again reviving, poi a poi di nuovo vivente = little by little with renewed vigour) 18:23 – The subject of the first fugue enters the fray in the lowest voice, in diminished form and with a different rhythmic emphasis. Immediately after, the first fugue subject also enters in the top voice, but this time in augmented form. 18:48 – A double diminuition of the first fugue subject is introduced, with a relaxing of the tempo which generates the effect of a gradual *increase* in tempo 18:53 – The subject of the second fugue enters in middle voice. 19:01 – The subject of the first fugue enters in bass. Effectively two voices left. The double diminuition becomes transformed into a decorative figure in RH. 19:15 – FINALE: Homophonic chorale. The theme escapes.
https://wn.com/Beethoven_Sonata_No.31_In_A_Flat_Major,_Op.110_(Lortie,_Siirala,_Kovacevich)
Beethoven - Serenade in D major, Op. 8

Beethoven - Serenade in D major, Op. 8

  • Order:
  • Duration: 26:38
  • Updated: 04 Jul 2015
  • views: 66050
videos
Ludwig van Beethoven Serenade in D major, Op. 8 (1795-97) I. Marcia. Allegro; Adagio II. Menuetto. Allegretto III. Adagio (D minor) IV. Allegretto alla polacca (F major) V. Tema con variazioni. Andante quasi allegretto Grumiaux Trio The Op. 8 Serenade for string trio, published in 1797, is music for a light evening's entertainment in a social setting, or for amateurs to play. Carloads of such serenades, cassations, divertimentos, Nachtmusiks, and notturnos were published and played in the late 1700s, but they are little known today. Aside from a few repertory staples by Mozart, most of them are charming but unmemorable, and the only ones that get played in concert now are by composers who are famous for other reasons. Beethoven composed less light music, and enjoyed it less, than most composers. The Serenade is graceful, attractive music, but lacks the gripping musical ideas that make so much of Beethoven's music unforgettable. There are nonetheless some of the features that got Beethoven a reputation for trying too hard to be novel and unusual, and clever touches that mark the Serenade as the product of a giant at play. In the March that begins and ends the work, the cello occasionally finds itself playing four 16th notes against three 8th notes in the upper parts, which is more rhythmic complexity and ambiguity than a march needs. The Minuet begins with a bang and ends with a few plucks, and the slow movement is interrupted by a half-minute-long scherzo in which the violin and viola scamper daintily while the cello pounds away impatiently. There are foreshadowings of the later Beethoven. The Andante quasi allegretto is a set of variations on a theme that he later turned into a song titled "Sanft wie die Frühlingsohne" (Soft as the Sun in Spring), and the short-short-short-long motif that Beethoven used so often in his "Middle period" works - most famously in the Fifth Symphony - makes an early appearance in the March. Publisher info: Ludwig van Beethovens Werke, Serie 7: Trios für Violine, Bratsche und Violoncell, Nr.58 Leipzig: Breitkopf & Härtel, 1862-90. Plate B.58. Copyright: Public Domain
https://wn.com/Beethoven_Serenade_In_D_Major,_Op._8
Beethoven, Sonata para piano Nº 18 en Mi ♭ mayor Opus 31 Nº 3. Daniel Barenboim, piano

Beethoven, Sonata para piano Nº 18 en Mi ♭ mayor Opus 31 Nº 3. Daniel Barenboim, piano

  • Order:
  • Duration: 22:55
  • Updated: 05 Feb 2013
  • views: 78483
videos
Ludwig van Beethoven (1770-1827) Sonata para piano Nº 18 en Mi bemol mayor, Opus 31 Nº 3 (1802) [E flat major/E-Dur/mi bémol majeur] 1. Allegro 2. Scherzo. Allegretto vivace 3. Menuetto: Moderato e grazioso 4. Presto con fuoco Daniel Barenboim, piano Aunque la Sonata Nº 18 no se encuentra entre las sonatas más celebradas del compositor, presenta al menos dos características inusuales. En primer lugar, posee cuatro movimientos, todos en modo Mayor y en tempo moderado o veloz, no habiendo ni Adagio ni Largo. Esta ausencia de conflicto, aún dentro de los mismos movimientos, le otorga un carácter jocoso a toda la composición. En segundo lugar, con la excepción del Menuetto, el Opus 31 Nº 3 está compuesto enteramente por tiempos en forma sonata. Incluso el Scherzo fue elaborado de esa manera, pese a que normalmente responde a la forma ternaria. Fuente: [http://es.wikipedia.org/wiki/Sonata_para_piano_n.%C2%BA_18_(Beethoven)] ---
https://wn.com/Beethoven,_Sonata_Para_Piano_Nº_18_En_Mi_♭_Mayor_Opus_31_Nº_3._Daniel_Barenboim,_Piano
Beethoven String Quartet No 13 Op 130 in B flat major Alban Berg Quartet

Beethoven String Quartet No 13 Op 130 in B flat major Alban Berg Quartet

  • Order:
  • Duration: 38:49
  • Updated: 17 Aug 2016
  • views: 6368
videos https://wn.com/Beethoven_String_Quartet_No_13_Op_130_In_B_Flat_Major_Alban_Berg_Quartet
Beethoven Violin Concerto in D Major Op.61:클라라주미 강 & Seoul Philharmonic Orchestra

Beethoven Violin Concerto in D Major Op.61:클라라주미 강 & Seoul Philharmonic Orchestra

  • Order:
  • Duration: 45:38
  • Updated: 17 Aug 2013
  • views: 911810
videos
Beethoven Violin Concerto in D Major Op.61 Violin : 강주미 Clara - Jumi Kang Conuctor : 정명훈 Chung Myung-Whun (Seoul Phil Orchestra Music Director & Permanent Orchestra Conductor) Seoul Philharmonic Orchestra 24th,May,2013.Korean Art Centre Concert Hall,Seoul Korea. ★ Select The Movement at your pleasure. 1st Erster Satz -[00:33] 2nd Zweiter Satz -[25:33] 3rd Dritter Satz -[35:23] -------------------------------------- Let's Listen (1) Symphony & Piano Concerto COLLECTION http://www.youtube.com/playlist?list=PLAE67C269557146C2 -------------------------------------- .
https://wn.com/Beethoven_Violin_Concerto_In_D_Major_Op.61_클라라주미_강_Seoul_Philharmonic_Orchestra
×