• Beethoven - Symphony No.7 in A major op.92 - II, Allegretto

    Symphony No.7 in A major op.92, 2^ movement, allegretto. Author: Ludwig van Beethoven (1770-1827). Performers: Leonard Bernstein & Wiener Philharmoniker

    published: 23 Jun 2010
  • Beethoven, Sonata para piano Nº 1 en fa menor Opus 2 Nº 1. Daniel Barenboim, piano

    Ludwig van Beethoven (1770 - 1827) Sonata para piano Nº 1 en fa menor Opus 2 Nº 1. [F minor/fa mineur] 1. Allegro 2. Adagio 3. Menuetto, Allegretto 4. Prestissimo Daniel Barenboim, piano. La sonata para piano n.º 1 en fa menor Opus 2 n.º 1 de Ludwig van Beethoven data de 1796 y está dedicada a Joseph Haydn. Pese a que esta inaugura su ciclo de 32 sonatas para piano, no es la más temprana. Antes de su publicación fueron compuestas las sonatas n.º 19 y n.º 20, y sus tres Sonatinas WoO 47. ---

    published: 08 Jan 2013
  • Beethoven - Op.18 Quartets, Quartetto Italiano

    The painting is "Malvern Hall in Warwickshire" by John Constable. String Quartet No. 1 in F major String Quartet No. 2 in G major 28:32 String Quartet No. 3 in D major 54:05 String Quartet No. 4 in C minor 1:20:33 String Quartet No. 5 in A major 1:45:59 String Quartet No. 6 in B♭ major 2:15:46

    published: 25 Jan 2012
  • Beethoven Tempest Sonata No. 17, Opus 31 No. 2 in D minor, Allegretto by Tzvi Erez

    Buy Now on iTunes: http://smarturl.it/BeethovenSonatas Tzvi Erez plays Beethoven's Piano Sonata No. 17, Opus 31 No. 2 in D minor, Allegretto. Recorded on a 1912 Bosendorfer in February 2000. Beethoven's Piano Works. P & C 2001 Niv Classical. http://www.nivmusic.com Advertising without the permission of the copyright holder is Strictly Prohibited.

    published: 06 May 2009
  • Beethoven "Moonlight" Sonata op 27 # 2 Mov 3 Valentina Lisitsa

    Recording in Beethovensaal, Hannover Germany, Dec 2009. Wilhelm Kempff recorded Beethoven cycle in the very same hall. Buy Moonlight Sonata DVD http://www.amazon.co.uk/Live-Royal-Albert-Hall-DVD/dp/B008B11S1A/ref=pd_sim_m_h__1/280-8455980-3697964 Valentina Lisitsa Live at the Royal Albert Hall US iTunes - http://bit.ly/iTunesUSVal US Amazon - http://bit.ly/ValRAH

    published: 19 Jan 2010
  • AmericanStringQuartet- Beethoven op.131

    American String Quartet, Beethoven op.131. Live at Tel Aviv Museum, January 2013 Filmed by Gilad Shabani-Shoofan, (Gilad and Mazal Photographers http:menatworkblog.tumblr.com) Violin- Peter Winograd, Laurie Carney Viola - Dan Avshalomov Cello - Wolfram Koessel

    published: 05 Feb 2013
  • Daniel Barenboim plays Beethoven Sonata No. 8 Op. 13 (Pathetique)

    Master of all things Beethoven, Daniel Barenboim breathes fresh life into the timeless Pathetique Sonata. With a rare combination of artistic prowess and erudite knowledge, Barenboim demonstrates a deep understanding of this music that can be simultaneously appreciated on both a cerebral and emotional level. I. Grave -- Allegro di molto e con brio 0:19 II. Adagio cantabile 9:46 III. Rondo: Allegro 15:11 The posting of this video meets the requirements of Fair Use. I do not own any copyright licenses for this video nor do I stand to gain financially from it's posting in any way whatsoever. This video has been posted for educational purposes to incite commentary, criticism and analysis. I strongly encourage all viewers to buy this fantastic DVD collection which includes performances by Dan...

    published: 05 Aug 2013
  • L. V. Beethoven - Violin Concerto in D major Op, 61 (David Oistrakh)

    Ludwig Van Beethoven - Violin Concerto in D major Op.61 Complete Full Concerto Ludwig van Beethoven's Violin Concerto in D major, Op. 61, was written in 1806. The work was premiered on 23 December 1806 in the Theater an der Wien in Vienna. Beethoven wrote the concerto for his colleague Franz Clement, a leading violinist of the day, who had earlier given him helpful advice on his opera Fidelio. The occasion was a benefit concert for Clement. However, the first printed edition (1808) was dedicated to Beethoven's friend Stephan von Breuning. It is believed that Beethoven finished the solo part so late that Clement had to sight-read part of his performance. Perhaps to express his annoyance, or to show what he could do when he had time to prepare, Clement is said to have interrupted the concert...

    published: 26 Apr 2012
  • Beethoven - Symphony No. 3 in E flat major (Op. 55) Eroica Berliner Philharmoniker

    Ludwig van Beethoven Symphony No. 3 in E flat major (Op. 55),Berliner Philharmoniker Symphony Numer Three Eroica By Beethoven also known as the Eroica (Italian for "heroic"), is a landmark musical work marking the full arrival of the composer's "middle-period," a series of unprecedented large scale works of emotional depth and structural rigor. The symphony is widely regarded as a mature expression of the classical style of the late eighteenth century that also exhibits defining features of the romantic style that would hold sway in the nineteenth century. The Third was begun immediately after the Second, completed in August 1804, and first performed 7 April 1805. Instrumentation The symphony is scored for 2 flutes, 2 oboes, 2 clarinets in B flat, 2 bassoons, 3 horns in E flat, 2 trumpets...

    published: 28 Apr 2012
  • Beethoven: Sonata No.9 in E major, Op.14 No.1 (Korstick, Yokoyama, Jumppanen)

    The 9th Sonata isn’t well known, probably due to a combination of its relatively diminutive proportions and slight air of oddness, but it definitely deserves to be. The striking first movement is an excellent example of how a good development section (see also the 6th sonata, and to a lesser extent the 5th and 7th) does not really need to develop material to be effective – here, the relevant sense of tension is generated by the inclusion of a completely new theme in the development, the first truly lyrical moment in the sonata (and B., in the manuscript, actually writes, “without developing the theme”). The movement is also a classic example of B.’s motivic style: the first theme group consists of rising 4ths (over an E pedal), scales, and then arpeggios, while the second theme group begin...

    published: 05 Sep 2017
  • Ludwig van Beethoven - String Quartet No. 14, Op. 131

    - Composer: Ludwig van Beethoven (17 December 1770 -- 26 March 1827) - Performers: Takács Quartet - Year of recording: 2003 String Quartet No. 14 in C sharp minor, Op. 131, written in 1826. 00:00 - 1. Adagio ma non troppo e molto espressivo 08:03 - 2. Allegro molto vivace 11:00 - 3. Allegro moderato 11:43 - 4. Andante ma non troppo e molto cantabile 25:10 - 5. Presto 30:12 - 6. Adagio quasi un poco andante 32:30 - 7. Allegro Despite its opus number, this quartet came after the "Fifteenth" Op. 132 from 1825, one of three composed to meet a commission from Prince Nikolai Golitzin. The others were Nos. 12 and 13. Like the Thirteenth and Fifteenth, this C sharp minor Quartet consists of more than the usual three or four movements. There are, in fact, seven movements to this massi...

    published: 20 Sep 2015
  • Beethoven - Cello Sonata No. 3 in A major, Op. 69 (Paul Tortelier & Eric Heidsieck)

    00:00 - Allegro, ma non tanto 12:28 - Scherzo. Allegro molto 17:44 - Adagio cantabile - Allegro vivace Paul Tortelier, cello Eric Heidsieck, piano 1972

    published: 09 May 2012
  • Ludwig van Beethoven - Piano Sonata No. 1, Op. 2 No. 1 [Complete] (Piano Solo)

    Beethoven's Piano Sonata No. 1 in F minor, Op. 2, No. 1, was written in 1795 and dedicated to Joseph Haydn. It is the first piano sonata written by Beethoven. A typical performance of the entire work lasts about 17-20 minutes. Performed by Daniel Baranboim. The sonata is in four movements: 0:00 1. Allegro in F minor 3:53 2. Adagio in F major 9:16 3. Menuetto - Allegretto in F minor 13:00 4. Prestissimo in F minor Sorry for that. I don't know why the video and the audio is not match after uploaded on YouTube :(

    published: 20 Dec 2012
  • Beethoven - Serenade in D major, Op. 8

    Ludwig van Beethoven Serenade in D major, Op. 8 (1795-97) I. Marcia. Allegro; Adagio II. Menuetto. Allegretto III. Adagio (D minor) IV. Allegretto alla polacca (F major) V. Tema con variazioni. Andante quasi allegretto Grumiaux Trio The Op. 8 Serenade for string trio, published in 1797, is music for a light evening's entertainment in a social setting, or for amateurs to play. Carloads of such serenades, cassations, divertimentos, Nachtmusiks, and notturnos were published and played in the late 1700s, but they are little known today. Aside from a few repertory staples by Mozart, most of them are charming but unmemorable, and the only ones that get played in concert now are by composers who are famous for other reasons. Beethoven composed less light music, and enjoyed it less, than most ...

    published: 04 Jul 2015
  • Barenboim, Zukerman & du Pré: Beethoven - Piano Trio in D major, Op. 70 No. 1 "Ghost"

    Daniel Barenboim - piano Pinchas Zukerman - violin Jacqueline du Pré - cello Ludwig van Beethoven - Piano Trio in D major, Op. 70 No. 1 "Ghost" / Klaviertrio D-Dur op. 70,1 „Geistertrio“ 1:18 Allegro vivace e con brio 9:05 Largo assai ed espressivo 21:53 Presto In 1808 the composer and violonist Louis Spohr was invited to a rehearsal in Beethoven's house of the D Major Piano Trio Opus 70 No. 1 known as The Ghost, and wrote of the Occasion: "It was not an enjoyable experience. First of all the piano was dreadfully out of tune, which did not trouble Beethoven in the least, since he could not hear it. Little or nothing remained of the brilliant technique which had been so much admired. In loud passages the poor deaf man hammered away at the notes crashing through whole groups of them so th...

    published: 25 Jul 2016
  • Beethoven Sonata No. 8 in C minor Op. 13 "Pathétique" Live - Lisitsa

    Special for my German fans! List of info for upcoming concerts in Deutschland in the next couple of weeks below . Munchen (Mar24), Stuttgart(Mar27), Heidelberg(Apr 7) Do come ! For Beethoven and more :-))) http://www.muenchenmusik.de/veranstaltungen/Valentina_Lisitsa-2735.html http://www.sks-russ.de/veranstaltungen/Valentina-Lisitsa-527.html http://heidelberger-fruehling.de/content/festival_2014/kalender/valentina_lisitsa/index_ger.html?gclid=CNmfl62Bqb0CFWXnwgodD1oA3A

    published: 23 Mar 2014
  • Beethoven - Diabelli Variations, Op. 120 [Grigory Sokolov]

    33 Variations on a Waltz by Anton Diabelli, Op. 120 (1819-23) [33 Veränderungen über einen Walzer von Diabelli, Opus 120] Tema: Vivace [0:10] Variation 1: Alla marcia maestoso [1:10] Variation 2: Poco allegro [3:38] Variation 3: L'istesso tempo [4:33] Variation 4: Un poco più vivace [6:26] Variation 5: Allegro vivace [7:52] Variation 6: Allegro ma non troppo e serioso [9:07] Variation 7: Un poco più allegro [10:51] Variation 8: Poco vivace [11:58] Variation 9: Allegro pesante e risoluto [13:40] Variation 10: Presto [16:00] Variation 11: Allegretto [16:32] Variation 12: Un poco più moto [17:52] Variation 13: Vivace [18:41] Variation 14: Grave e maestoso [19:54] Variation 15: Presto scherzando [24:24] Variation 16: Allegro [25:02] Variation 17 [26:02] Variation 18: Poco moderato [26:59] Var...

    published: 10 Apr 2011
  • Beethoven - String Trio No. 1 in E-flat major, Op. 3

    Ludwig van Beethoven String Trio No. 1 in E-flat major, Op. 3 (1792-96) dedicated to the Countess of Browne I. Allegro con brio II. Andante III. Menuetto. Allegretto IV. Adagio V. Menuetto. Moderato VI. Finale. Allegro Grumiaux Trio Beethoven wrote five string trios, the final being composed in 1798. Most historians posit that Beethoven abandoned the form once he began writing string quartets in that same year. However, we need not consider the string trio an “inferior” form. In the hands of the inventive craftsman Beethoven, the sonic possibilities are considerable even without a second violin. The String Trio in Eb, Op. 3, was Beethoven’s first string ensemble work, modeled after Mozart’s famous Divertimento for String Trio (K.563) of 1788. It brought the young Beethoven internat...

    published: 03 Jul 2015
  • Beethoven - Six Variations op.34 - Richter studio

    Ludwig van Beethoven 6 Variations on an Original Theme op.34 Sviatoslav Richter Studio recording, Salzburg, 17-19.VII.1970

    published: 20 Jul 2013
  • [Wilhelm Backhaus] Beethoven: Piano Sonata in c, Op.111.

    S E E --- T H E --- D E S C R I P T I O N ! (Press "Show more"!) vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv Ludwig van Beethoven (1770-1827) 32.Piano Sonata in c-minor, Op.111. Wilhelm Backhaus (1884-1969) Bösendorfer piano Studio Recording, 1953 00:00 1st movement 08:15 2nd movement

    published: 13 Apr 2013
  • Beethoven, Sonata para piano Nº 18 en Mi ♭ mayor Opus 31 Nº 3. Daniel Barenboim, piano

    Ludwig van Beethoven (1770-1827) Sonata para piano Nº 18 en Mi bemol mayor, Opus 31 Nº 3 (1802) [E flat major/E-Dur/mi bémol majeur] 1. Allegro 2. Scherzo. Allegretto vivace 3. Menuetto: Moderato e grazioso 4. Presto con fuoco Daniel Barenboim, piano Aunque la Sonata Nº 18 no se encuentra entre las sonatas más celebradas del compositor, presenta al menos dos características inusuales. En primer lugar, posee cuatro movimientos, todos en modo Mayor y en tempo moderado o veloz, no habiendo ni Adagio ni Largo. Esta ausencia de conflicto, aún dentro de los mismos movimientos, le otorga un carácter jocoso a toda la composición. En segundo lugar, con la excepción del Menuetto, el Opus 31 Nº 3 está compuesto enteramente por tiempos en forma sonata. Incluso el Scherzo fue elaborado de esa manera, ...

    published: 05 Feb 2013
  • Beethoven Piano Concerto No. 5 in E-flat major, Op. 73 Adagio Un Poco Mosso

    this is one of the most relaxing songs i know, nice for meditation, or just some relaxing after a long day. i think it's Performed by the London Festival Orchestra with Sylvia Capova (she plays piano..?)

    published: 10 Mar 2008
  • Beethoven Piano Trio Op.1 No.1, Tibor Szász, Daniel Foster, Jeffrey Butler, 1980 Nov. 17, USA

    Ludwig van Beethoven Piano Trio Op.1 No.1 in E-flat major, Tibor Szász piano, Daniel Foster violin, Jeffrey Butler cello, 1980 November 17, USA 0:00 I. Allegro 7:42 II. Adagio cantabile 15:20 III. Scherzo. Allegro assai 20:12 IV. Finale. Presto http://youtu.be/xSawyXDkNCo http://youtu.be/PfyStp4C-M0 http://youtu.be/8N-AsmAIM3M Лист Соната h-moll си минор и след женщины-композитора: Тема quasi Adagio и Lied Марии Павловны Романовой Тибор Сас Free download of studies on the Liszt Sonata by Tibor Szász http://www.americanlisztsociety.net/SonatainBminorbyTiborSzasz.pdf http://www.americanlisztsociety.net/SonateHMollvonTiborSzasz.pdf www.tiborszasz.de Сас, Тибор Тибор Сас (венг. Szasz Tibor; род. 1948) — пианист и музыковед. Родился в Румынии в венгерской семье, долгое время жил в С...

    published: 18 Nov 2012
  • Beethoven - String Trio No. 2, Op. 9 No. 1

    Ludwig van Beethoven String Trio No. 2, Op. 9 No. 1 Dedicated to Count Johann Georg von Browne-Camus 1. Adagio - Allegro con brio 2. Adagio, ma non tanto, e cantabile 3. Scherzo Allegro 4. Presto Grumiaux Trio Arthur Grumiaux, violin Georges Janzer, viola Eva Czako, cello Description by Robert Cummings [-] The Op. 9 trios are among the most important early chamber works by Beethoven. Each of the three works consists of four movements, like the then-recent Haydn symphonies. By this time Beethoven may well have been writing in the chamber/string genre as a means of testing his skills in the symphonic realm, which he was a bit hesitant to enter owing to Haydn's dominance of the field. Whatever his motives, he turned out three works whose chamber instrumentation perfectly suits their mus...

    published: 31 Jul 2015
  • Beethoven opus 18 no 3, Allegro

    published: 21 Aug 2016
  • beethoven opus 420

    these graphiicxs and beats

    published: 28 Mar 2014
  • Nhim

    Sonate Beethoven Opus 2 no.1

    published: 17 Dec 2016
  • Beethoven opus 13 Grande Sonate Pathétique

    published: 10 Dec 2016
  • Beethoven opus 10 No 1 cherry ggp piano

    published: 06 Aug 2016
developed with YouTube
Beethoven - Symphony No.7 in A major op.92 - II, Allegretto

Beethoven - Symphony No.7 in A major op.92 - II, Allegretto

  • Order:
  • Duration: 8:47
  • Updated: 23 Jun 2010
  • views: 3118668
videos https://wn.com/Beethoven_Symphony_No.7_In_A_Major_Op.92_Ii,_Allegretto
Beethoven, Sonata para piano Nº 1 en fa menor Opus 2 Nº 1. Daniel Barenboim, piano

Beethoven, Sonata para piano Nº 1 en fa menor Opus 2 Nº 1. Daniel Barenboim, piano

  • Order:
  • Duration: 19:18
  • Updated: 08 Jan 2013
  • views: 552915
videos
Ludwig van Beethoven (1770 - 1827) Sonata para piano Nº 1 en fa menor Opus 2 Nº 1. [F minor/fa mineur] 1. Allegro 2. Adagio 3. Menuetto, Allegretto 4. Prestissimo Daniel Barenboim, piano. La sonata para piano n.º 1 en fa menor Opus 2 n.º 1 de Ludwig van Beethoven data de 1796 y está dedicada a Joseph Haydn. Pese a que esta inaugura su ciclo de 32 sonatas para piano, no es la más temprana. Antes de su publicación fueron compuestas las sonatas n.º 19 y n.º 20, y sus tres Sonatinas WoO 47. ---
https://wn.com/Beethoven,_Sonata_Para_Piano_Nº_1_En_Fa_Menor_Opus_2_Nº_1._Daniel_Barenboim,_Piano
Beethoven Tempest Sonata No. 17, Opus 31 No. 2 in D minor, Allegretto by Tzvi Erez

Beethoven Tempest Sonata No. 17, Opus 31 No. 2 in D minor, Allegretto by Tzvi Erez

  • Order:
  • Duration: 7:15
  • Updated: 06 May 2009
  • views: 593196
videos
Buy Now on iTunes: http://smarturl.it/BeethovenSonatas Tzvi Erez plays Beethoven's Piano Sonata No. 17, Opus 31 No. 2 in D minor, Allegretto. Recorded on a 1912 Bosendorfer in February 2000. Beethoven's Piano Works. P & C 2001 Niv Classical. http://www.nivmusic.com Advertising without the permission of the copyright holder is Strictly Prohibited.
https://wn.com/Beethoven_Tempest_Sonata_No._17,_Opus_31_No._2_In_D_Minor,_Allegretto_By_Tzvi_Erez
Beethoven "Moonlight" Sonata op 27 # 2 Mov 3 Valentina Lisitsa

Beethoven "Moonlight" Sonata op 27 # 2 Mov 3 Valentina Lisitsa

  • Order:
  • Duration: 6:48
  • Updated: 19 Jan 2010
  • views: 25877531
videos
Recording in Beethovensaal, Hannover Germany, Dec 2009. Wilhelm Kempff recorded Beethoven cycle in the very same hall. Buy Moonlight Sonata DVD http://www.amazon.co.uk/Live-Royal-Albert-Hall-DVD/dp/B008B11S1A/ref=pd_sim_m_h__1/280-8455980-3697964 Valentina Lisitsa Live at the Royal Albert Hall US iTunes - http://bit.ly/iTunesUSVal US Amazon - http://bit.ly/ValRAH
https://wn.com/Beethoven_Moonlight_Sonata_Op_27_2_Mov_3_Valentina_Lisitsa
AmericanStringQuartet- Beethoven op.131

AmericanStringQuartet- Beethoven op.131

  • Order:
  • Duration: 38:52
  • Updated: 05 Feb 2013
  • views: 428418
videos
American String Quartet, Beethoven op.131. Live at Tel Aviv Museum, January 2013 Filmed by Gilad Shabani-Shoofan, (Gilad and Mazal Photographers http:menatworkblog.tumblr.com) Violin- Peter Winograd, Laurie Carney Viola - Dan Avshalomov Cello - Wolfram Koessel
https://wn.com/Americanstringquartet_Beethoven_Op.131
Daniel Barenboim plays Beethoven Sonata No. 8 Op. 13 (Pathetique)

Daniel Barenboim plays Beethoven Sonata No. 8 Op. 13 (Pathetique)

  • Order:
  • Duration: 20:19
  • Updated: 05 Aug 2013
  • views: 2876991
videos
Master of all things Beethoven, Daniel Barenboim breathes fresh life into the timeless Pathetique Sonata. With a rare combination of artistic prowess and erudite knowledge, Barenboim demonstrates a deep understanding of this music that can be simultaneously appreciated on both a cerebral and emotional level. I. Grave -- Allegro di molto e con brio 0:19 II. Adagio cantabile 9:46 III. Rondo: Allegro 15:11 The posting of this video meets the requirements of Fair Use. I do not own any copyright licenses for this video nor do I stand to gain financially from it's posting in any way whatsoever. This video has been posted for educational purposes to incite commentary, criticism and analysis. I strongly encourage all viewers to buy this fantastic DVD collection which includes performances by Daniel Barenboim of all 32 Beethoven Sonatas by following this link: http://www.amazon.com/Barenboim-Beethoven-Complete-Sonatas-Berlin/dp/B000KWZ7VU/ref=sr_1_2?ie=UTF8&qid=1375724619&sr=8-2&keywords=barenboim+on+beethoven
https://wn.com/Daniel_Barenboim_Plays_Beethoven_Sonata_No._8_Op._13_(Pathetique)
L. V. Beethoven - Violin Concerto in D major Op, 61 (David Oistrakh)

L. V. Beethoven - Violin Concerto in D major Op, 61 (David Oistrakh)

  • Order:
  • Duration: 45:37
  • Updated: 26 Apr 2012
  • views: 358586
videos
Ludwig Van Beethoven - Violin Concerto in D major Op.61 Complete Full Concerto Ludwig van Beethoven's Violin Concerto in D major, Op. 61, was written in 1806. The work was premiered on 23 December 1806 in the Theater an der Wien in Vienna. Beethoven wrote the concerto for his colleague Franz Clement, a leading violinist of the day, who had earlier given him helpful advice on his opera Fidelio. The occasion was a benefit concert for Clement. However, the first printed edition (1808) was dedicated to Beethoven's friend Stephan von Breuning. It is believed that Beethoven finished the solo part so late that Clement had to sight-read part of his performance. Perhaps to express his annoyance, or to show what he could do when he had time to prepare, Clement is said to have interrupted the concerto between the first and second movements with a solo composition of his own, played on one string of the violin held upside down; however, other sources claim that he did play such a piece but only at the end of the program. The premiere was not a success, and the concerto was little performed in the following decades. The work was revived in 1844, well after Beethoven's death, with performances by the then 12-year-old violinist Joseph Joachim with the orchestra conducted by Felix Mendelssohn. Ever since, it has been one of the most important works of the violin concerto repertoire, and it is frequently performed and recorded today. Structure The work is in three movements: Allegro ma non troppo (D major) Larghetto (G major) Rondo. Allegro (D major)
https://wn.com/L._V._Beethoven_Violin_Concerto_In_D_Major_Op,_61_(David_Oistrakh)
Beethoven - Symphony No. 3 in E flat major (Op. 55) Eroica Berliner Philharmoniker

Beethoven - Symphony No. 3 in E flat major (Op. 55) Eroica Berliner Philharmoniker

  • Order:
  • Duration: 51:19
  • Updated: 28 Apr 2012
  • views: 337053
videos
Ludwig van Beethoven Symphony No. 3 in E flat major (Op. 55),Berliner Philharmoniker Symphony Numer Three Eroica By Beethoven also known as the Eroica (Italian for "heroic"), is a landmark musical work marking the full arrival of the composer's "middle-period," a series of unprecedented large scale works of emotional depth and structural rigor. The symphony is widely regarded as a mature expression of the classical style of the late eighteenth century that also exhibits defining features of the romantic style that would hold sway in the nineteenth century. The Third was begun immediately after the Second, completed in August 1804, and first performed 7 April 1805. Instrumentation The symphony is scored for 2 flutes, 2 oboes, 2 clarinets in B flat, 2 bassoons, 3 horns in E flat, 2 trumpets in E flat and C, timpani in E flat and B flat, and strings. Form The piece consists of four movements: Allegro con brio Marcia funebre: Adagio assai in C minor Scherzo: Allegro vivace Finale: Allegro molto The performance time is about 50 minutes.
https://wn.com/Beethoven_Symphony_No._3_In_E_Flat_Major_(Op._55)_Eroica_Berliner_Philharmoniker
Beethoven: Sonata No.9 in E major, Op.14 No.1 (Korstick, Yokoyama, Jumppanen)

Beethoven: Sonata No.9 in E major, Op.14 No.1 (Korstick, Yokoyama, Jumppanen)

  • Order:
  • Duration: 37:18
  • Updated: 05 Sep 2017
  • views: 35813
videos
The 9th Sonata isn’t well known, probably due to a combination of its relatively diminutive proportions and slight air of oddness, but it definitely deserves to be. The striking first movement is an excellent example of how a good development section (see also the 6th sonata, and to a lesser extent the 5th and 7th) does not really need to develop material to be effective – here, the relevant sense of tension is generated by the inclusion of a completely new theme in the development, the first truly lyrical moment in the sonata (and B., in the manuscript, actually writes, “without developing the theme”). The movement is also a classic example of B.’s motivic style: the first theme group consists of rising 4ths (over an E pedal), scales, and then arpeggios, while the second theme group begins with a naked descending and rising (chromatic) scale. It’s pretty extraordinary how much drama B. wrings from such humble material, often with the aid of some very beautiful quartet-like counterpoint. The second movement is notable for some of the rather late-Renaissance-ish harmonies B. uses, and the last movement is pretty funny: the main theme involves the rising RH getting hopelessly jammed on an A, while the LH continues making its way down the keyboard, happily ignoring whatever dissonance it generates against the note above. It’s also a nice example of B.’s skill at continuously developing a rondo’s theme with each recurrence, and the middle episode has a particularly pleasing concerto-like moment. MVT I, Allegro EXPOSITION 00:00 – Theme 1 00:19 – Transition, using Theme 1 with chromatically rising inner part. At 0:24 a new transition theme is introduced 00:34 – Theme Group 2, Theme 1. A single vocal line, descending diatonically and rising chromatically. Repeated with imitation. 00:58 – Theme Group 2, Theme 2. 01:10 – Theme Group 2, Theme 3. 01:27 – Cadential Theme, using Theme 1 under an inverted pedal DEVELOPMENT 03:06 – Theme 1, moving into A min 03:13 – New Episodic Theme, which occurs no-where else in the piece. In the manuscript B. actually explicitly writes at this point, “without developing the theme” (meaning the sonata’s main themes). The texture here is eerily Schubertian – probably the first time something like this was written for piano. 03:37 – Theme 1, developed over 10 bars of dwelling on the dominant RECAPITULATION 03:52 – Theme 1, now with forte scales in LH. At 4:10, a magical movement in to C maj, implied to be the Neapolitan of B min 04:17 – Transition 04:28 – Theme Group 2 05:21 – Cadential Theme 05:32 – CODA MVT II, Allegretto 05:51 – A Section/minuet. The middle strain at 6:04 has a rather Renaissance feel. At 6:33 a codetta, using figuration from m.4 and with closing with an implied (and impossible) portamento at 6:42 06:43 – B Section/trio. 07:24 – A Section 08:16 – Coda, which deceptively begins like the trio MVT III, Rondo: Allegro comodo 08:31 – Theme, modulating into B 08:58 – Episode 1 09:11 – Theme, modulating into G 09:31 – Episode 2, with a mini-cadenza at 9:44 10:15 – Theme, modulating into A 10:34 – Episode 1, modulating into F, before using a tritone switch to move into the home dominant 10:48 – Theme, with syncopation
https://wn.com/Beethoven_Sonata_No.9_In_E_Major,_Op.14_No.1_(Korstick,_Yokoyama,_Jumppanen)
Ludwig van Beethoven - String Quartet No. 14, Op. 131

Ludwig van Beethoven - String Quartet No. 14, Op. 131

  • Order:
  • Duration: 38:52
  • Updated: 20 Sep 2015
  • views: 244325
videos
- Composer: Ludwig van Beethoven (17 December 1770 -- 26 March 1827) - Performers: Takács Quartet - Year of recording: 2003 String Quartet No. 14 in C sharp minor, Op. 131, written in 1826. 00:00 - 1. Adagio ma non troppo e molto espressivo 08:03 - 2. Allegro molto vivace 11:00 - 3. Allegro moderato 11:43 - 4. Andante ma non troppo e molto cantabile 25:10 - 5. Presto 30:12 - 6. Adagio quasi un poco andante 32:30 - 7. Allegro Despite its opus number, this quartet came after the "Fifteenth" Op. 132 from 1825, one of three composed to meet a commission from Prince Nikolai Golitzin. The others were Nos. 12 and 13. Like the Thirteenth and Fifteenth, this C sharp minor Quartet consists of more than the usual three or four movements. There are, in fact, seven movements to this massive work, and its form, as one might suspect, is also most unusual. - The quartet begins with a fugue, marked Adagio ma non troppo e molto espressivo. The mood throughout is somber, but with a religiosity and tenderness that seem to suggest the composer's sense of his own mortality (Beethoven died in March 1827, a year after this composition). Near the end of this movement the music fades, then leads directly into... - the second movement, marked Allegro molto vivace, which seems as if it could be a more typical first movement. It begins at a pianissimo level with a theme that might seem more suited to a Rondo finale. A transitional theme appears next, and eventually we arrive at a second subject. The material is reprised but afterward there follows no actual development section. Instead, an expanded coda develops the transitional theme. At this juncture, the traditional sonata-allegro form seems obscured. - The third movement begins without pause, and actually serves as a brief interlude to... - the long slow movement, which is marked Andante ma non troppo e molto cantabile. It consists of a theme and six variations, most of which involve harmony rather than the essence of the melody itself. This movement is one of the most profound and complex Beethoven ever fashioned in the chamber genre. Each variation is played in a different tempo, thus creating a true "variety" that, to some ears, may seem at first to impart a disjointed quality. Yet, Beethoven's invention and cleverness are present everywhere. The fifth variation, for instance, with its deftly-wrought syncopation, is wonderfully mysterious and the coda slyly starts off as if it will become yet another variation, but it subtly returns to the main themes, then brings the movement to a close with a gentle fade. - The Presto fifth movement is brimming with energy and charm. It is an attractive, humorous Scherzo with a trio section and may be, despite a few innovative touches by Beethoven, the most traditional of the movements comprising this quartet. Its rather abrupt and harsh ending leads to a brief interlude-like Adagio quasi un poco andante. - The sixth movement, like the third, is very brief. - The finale begins with a gruff theme, that is immediately followed by a less fierce but darker theme. A third melody is introduced shortly afterward, closer in character to the last, but expressing sadness and melancholy. The themes reappear, with the form thus far seeming to suggest the movement could be a Rondo. But Beethoven veers toward thematic development, as if to say he has finally found his way to the sonata-allegro form. There follows a recapitulation but with many highly imaginative changes in the previous material. A powerful and tragic coda closes what many consider Beethoven's greatest quartet. It was first published in Mainz in 1827 and was dedicated to Baron Joseph von Stutterheim.
https://wn.com/Ludwig_Van_Beethoven_String_Quartet_No._14,_Op._131
Beethoven - Cello Sonata No. 3 in A major, Op. 69 (Paul Tortelier & Eric Heidsieck)

Beethoven - Cello Sonata No. 3 in A major, Op. 69 (Paul Tortelier & Eric Heidsieck)

  • Order:
  • Duration: 26:16
  • Updated: 09 May 2012
  • views: 999818
videos
00:00 - Allegro, ma non tanto 12:28 - Scherzo. Allegro molto 17:44 - Adagio cantabile - Allegro vivace Paul Tortelier, cello Eric Heidsieck, piano 1972
https://wn.com/Beethoven_Cello_Sonata_No._3_In_A_Major,_Op._69_(Paul_Tortelier_Eric_Heidsieck)
Ludwig van Beethoven - Piano Sonata No. 1, Op. 2 No. 1 [Complete] (Piano Solo)

Ludwig van Beethoven - Piano Sonata No. 1, Op. 2 No. 1 [Complete] (Piano Solo)

  • Order:
  • Duration: 18:01
  • Updated: 20 Dec 2012
  • views: 547841
videos
Beethoven's Piano Sonata No. 1 in F minor, Op. 2, No. 1, was written in 1795 and dedicated to Joseph Haydn. It is the first piano sonata written by Beethoven. A typical performance of the entire work lasts about 17-20 minutes. Performed by Daniel Baranboim. The sonata is in four movements: 0:00 1. Allegro in F minor 3:53 2. Adagio in F major 9:16 3. Menuetto - Allegretto in F minor 13:00 4. Prestissimo in F minor Sorry for that. I don't know why the video and the audio is not match after uploaded on YouTube :(
https://wn.com/Ludwig_Van_Beethoven_Piano_Sonata_No._1,_Op._2_No._1_Complete_(Piano_Solo)
Beethoven - Serenade in D major, Op. 8

Beethoven - Serenade in D major, Op. 8

  • Order:
  • Duration: 26:38
  • Updated: 04 Jul 2015
  • views: 71482
videos
Ludwig van Beethoven Serenade in D major, Op. 8 (1795-97) I. Marcia. Allegro; Adagio II. Menuetto. Allegretto III. Adagio (D minor) IV. Allegretto alla polacca (F major) V. Tema con variazioni. Andante quasi allegretto Grumiaux Trio The Op. 8 Serenade for string trio, published in 1797, is music for a light evening's entertainment in a social setting, or for amateurs to play. Carloads of such serenades, cassations, divertimentos, Nachtmusiks, and notturnos were published and played in the late 1700s, but they are little known today. Aside from a few repertory staples by Mozart, most of them are charming but unmemorable, and the only ones that get played in concert now are by composers who are famous for other reasons. Beethoven composed less light music, and enjoyed it less, than most composers. The Serenade is graceful, attractive music, but lacks the gripping musical ideas that make so much of Beethoven's music unforgettable. There are nonetheless some of the features that got Beethoven a reputation for trying too hard to be novel and unusual, and clever touches that mark the Serenade as the product of a giant at play. In the March that begins and ends the work, the cello occasionally finds itself playing four 16th notes against three 8th notes in the upper parts, which is more rhythmic complexity and ambiguity than a march needs. The Minuet begins with a bang and ends with a few plucks, and the slow movement is interrupted by a half-minute-long scherzo in which the violin and viola scamper daintily while the cello pounds away impatiently. There are foreshadowings of the later Beethoven. The Andante quasi allegretto is a set of variations on a theme that he later turned into a song titled "Sanft wie die Frühlingsohne" (Soft as the Sun in Spring), and the short-short-short-long motif that Beethoven used so often in his "Middle period" works - most famously in the Fifth Symphony - makes an early appearance in the March. Publisher info: Ludwig van Beethovens Werke, Serie 7: Trios für Violine, Bratsche und Violoncell, Nr.58 Leipzig: Breitkopf & Härtel, 1862-90. Plate B.58. Copyright: Public Domain
https://wn.com/Beethoven_Serenade_In_D_Major,_Op._8
Barenboim, Zukerman & du Pré: Beethoven - Piano Trio in D major, Op. 70 No. 1 "Ghost"

Barenboim, Zukerman & du Pré: Beethoven - Piano Trio in D major, Op. 70 No. 1 "Ghost"

  • Order:
  • Duration: 28:42
  • Updated: 25 Jul 2016
  • views: 158142
videos
Daniel Barenboim - piano Pinchas Zukerman - violin Jacqueline du Pré - cello Ludwig van Beethoven - Piano Trio in D major, Op. 70 No. 1 "Ghost" / Klaviertrio D-Dur op. 70,1 „Geistertrio“ 1:18 Allegro vivace e con brio 9:05 Largo assai ed espressivo 21:53 Presto In 1808 the composer and violonist Louis Spohr was invited to a rehearsal in Beethoven's house of the D Major Piano Trio Opus 70 No. 1 known as The Ghost, and wrote of the Occasion: "It was not an enjoyable experience. First of all the piano was dreadfully out of tune, which did not trouble Beethoven in the least, since he could not hear it. Little or nothing remained of the brilliant technique which had been so much admired. In loud passages the poor deaf man hammered away at the notes crashing through whole groups of them so that without the score one lost all sense of the melody. I was deeply moved by the tragedy of it all. Beethoven's almost continual melancholy was no longer a mystery to me." Buy the DVD here: http://amzn.to/2pvO5hB ** An Allegro Film by Christopher Nupen ** This is an affiliate link Affiliate links are links for which - according to their measurable success - a commission is paid. The products that we advertise here can of course also be purchased elsewhere. The links are solely suggestions for you to see how the product looks like and where it can be obtained.
https://wn.com/Barenboim,_Zukerman_Du_Pré_Beethoven_Piano_Trio_In_D_Major,_Op._70_No._1_Ghost
Beethoven Sonata No. 8 in C minor Op. 13 "Pathétique" Live - Lisitsa

Beethoven Sonata No. 8 in C minor Op. 13 "Pathétique" Live - Lisitsa

  • Order:
  • Duration: 17:06
  • Updated: 23 Mar 2014
  • views: 3292452
videos
Special for my German fans! List of info for upcoming concerts in Deutschland in the next couple of weeks below . Munchen (Mar24), Stuttgart(Mar27), Heidelberg(Apr 7) Do come ! For Beethoven and more :-))) http://www.muenchenmusik.de/veranstaltungen/Valentina_Lisitsa-2735.html http://www.sks-russ.de/veranstaltungen/Valentina-Lisitsa-527.html http://heidelberger-fruehling.de/content/festival_2014/kalender/valentina_lisitsa/index_ger.html?gclid=CNmfl62Bqb0CFWXnwgodD1oA3A
https://wn.com/Beethoven_Sonata_No._8_In_C_Minor_Op._13_Pathétique_Live_Lisitsa
Beethoven - Diabelli Variations, Op. 120 [Grigory Sokolov]

Beethoven - Diabelli Variations, Op. 120 [Grigory Sokolov]

  • Order:
  • Duration: 1:00:04
  • Updated: 10 Apr 2011
  • views: 787742
videos
33 Variations on a Waltz by Anton Diabelli, Op. 120 (1819-23) [33 Veränderungen über einen Walzer von Diabelli, Opus 120] Tema: Vivace [0:10] Variation 1: Alla marcia maestoso [1:10] Variation 2: Poco allegro [3:38] Variation 3: L'istesso tempo [4:33] Variation 4: Un poco più vivace [6:26] Variation 5: Allegro vivace [7:52] Variation 6: Allegro ma non troppo e serioso [9:07] Variation 7: Un poco più allegro [10:51] Variation 8: Poco vivace [11:58] Variation 9: Allegro pesante e risoluto [13:40] Variation 10: Presto [16:00] Variation 11: Allegretto [16:32] Variation 12: Un poco più moto [17:52] Variation 13: Vivace [18:41] Variation 14: Grave e maestoso [19:54] Variation 15: Presto scherzando [24:24] Variation 16: Allegro [25:02] Variation 17 [26:02] Variation 18: Poco moderato [26:59] Variation 19: Presto [28:58] Variation 20: Andante [29:45] Variation 21: Allegro con brio [32:24] Variation 22: Allegro molto alla "Notte e giorno faticar" di Mozart [33:46] Variation 23: Allegro assai [34:31] Variation 24: Fughetta. Andante [35:28] Variation 25: Allegro [38:37] Variation 26 [39:38] Variation 27: Vivace [40:51] Variation 28: Allegro [41:48] Variation 29: Adagio ma non troppo [42:42] Variation 30: Andante, sempre cantabile [43:57] Variation 31: Largo, molto espressivo [46:01] Variation 32: Fuga. Allegro [51:42] Variation 33: Tempo di Minuetto moderato (aber nicht schleppend) [55:17] This work is a large-scale set of variations for solo piano by German composer Ludwig van Beethoven (1770-1827). The main theme is based on a simple waltz composed by the Austrian music publisher and composer Anton Diabelli (1781-1858). The harmonic, rhythmic, textural and structural development that Beethoven applies to the waltz theme is simply astounding. In this 1985 live performance (St. Petersburg), the Russian pianist Grigory Sokolov does justice to Beethoven's work of genius.
https://wn.com/Beethoven_Diabelli_Variations,_Op._120_Grigory_Sokolov
Beethoven - String Trio No. 1 in E-flat major, Op. 3

Beethoven - String Trio No. 1 in E-flat major, Op. 3

  • Order:
  • Duration: 38:37
  • Updated: 03 Jul 2015
  • views: 95253
videos
Ludwig van Beethoven String Trio No. 1 in E-flat major, Op. 3 (1792-96) dedicated to the Countess of Browne I. Allegro con brio II. Andante III. Menuetto. Allegretto IV. Adagio V. Menuetto. Moderato VI. Finale. Allegro Grumiaux Trio Beethoven wrote five string trios, the final being composed in 1798. Most historians posit that Beethoven abandoned the form once he began writing string quartets in that same year. However, we need not consider the string trio an “inferior” form. In the hands of the inventive craftsman Beethoven, the sonic possibilities are considerable even without a second violin. The String Trio in Eb, Op. 3, was Beethoven’s first string ensemble work, modeled after Mozart’s famous Divertimento for String Trio (K.563) of 1788. It brought the young Beethoven international attention. The first movement, Allegro con brio, is in sonata form and moves through a broad theme into a violin/cello duet. The composition proceeds with exciting interplay among the three instruments, to conclude with an ebullient Allegro. Publisher info: Ludwig van Beethovens Werke, Serie 7: Trios für Violine, Bratsche und Violoncell, Nr.54 Leipzig: Breitkopf & Härtel, n.d.[1862]. Plate B.54. Copyright: Public Domain
https://wn.com/Beethoven_String_Trio_No._1_In_E_Flat_Major,_Op._3
[Wilhelm Backhaus] Beethoven: Piano Sonata in c, Op.111.

[Wilhelm Backhaus] Beethoven: Piano Sonata in c, Op.111.

  • Order:
  • Duration: 21:18
  • Updated: 13 Apr 2013
  • views: 100724
videos
S E E --- T H E --- D E S C R I P T I O N ! (Press "Show more"!) vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv Ludwig van Beethoven (1770-1827) 32.Piano Sonata in c-minor, Op.111. Wilhelm Backhaus (1884-1969) Bösendorfer piano Studio Recording, 1953 00:00 1st movement 08:15 2nd movement
https://wn.com/Wilhelm_Backhaus_Beethoven_Piano_Sonata_In_C,_Op.111.
Beethoven, Sonata para piano Nº 18 en Mi ♭ mayor Opus 31 Nº 3. Daniel Barenboim, piano

Beethoven, Sonata para piano Nº 18 en Mi ♭ mayor Opus 31 Nº 3. Daniel Barenboim, piano

  • Order:
  • Duration: 22:55
  • Updated: 05 Feb 2013
  • views: 83210
videos
Ludwig van Beethoven (1770-1827) Sonata para piano Nº 18 en Mi bemol mayor, Opus 31 Nº 3 (1802) [E flat major/E-Dur/mi bémol majeur] 1. Allegro 2. Scherzo. Allegretto vivace 3. Menuetto: Moderato e grazioso 4. Presto con fuoco Daniel Barenboim, piano Aunque la Sonata Nº 18 no se encuentra entre las sonatas más celebradas del compositor, presenta al menos dos características inusuales. En primer lugar, posee cuatro movimientos, todos en modo Mayor y en tempo moderado o veloz, no habiendo ni Adagio ni Largo. Esta ausencia de conflicto, aún dentro de los mismos movimientos, le otorga un carácter jocoso a toda la composición. En segundo lugar, con la excepción del Menuetto, el Opus 31 Nº 3 está compuesto enteramente por tiempos en forma sonata. Incluso el Scherzo fue elaborado de esa manera, pese a que normalmente responde a la forma ternaria. Fuente: [http://es.wikipedia.org/wiki/Sonata_para_piano_n.%C2%BA_18_(Beethoven)] ---
https://wn.com/Beethoven,_Sonata_Para_Piano_Nº_18_En_Mi_♭_Mayor_Opus_31_Nº_3._Daniel_Barenboim,_Piano
Beethoven Piano Concerto No. 5 in E-flat major, Op. 73 Adagio Un Poco Mosso

Beethoven Piano Concerto No. 5 in E-flat major, Op. 73 Adagio Un Poco Mosso

  • Order:
  • Duration: 9:46
  • Updated: 10 Mar 2008
  • views: 3792135
videos
this is one of the most relaxing songs i know, nice for meditation, or just some relaxing after a long day. i think it's Performed by the London Festival Orchestra with Sylvia Capova (she plays piano..?)
https://wn.com/Beethoven_Piano_Concerto_No._5_In_E_Flat_Major,_Op._73_Adagio_Un_Poco_Mosso
Beethoven Piano Trio Op.1 No.1, Tibor Szász, Daniel Foster, Jeffrey Butler, 1980 Nov. 17, USA

Beethoven Piano Trio Op.1 No.1, Tibor Szász, Daniel Foster, Jeffrey Butler, 1980 Nov. 17, USA

  • Order:
  • Duration: 28:19
  • Updated: 18 Nov 2012
  • views: 83683
videos
Ludwig van Beethoven Piano Trio Op.1 No.1 in E-flat major, Tibor Szász piano, Daniel Foster violin, Jeffrey Butler cello, 1980 November 17, USA 0:00 I. Allegro 7:42 II. Adagio cantabile 15:20 III. Scherzo. Allegro assai 20:12 IV. Finale. Presto http://youtu.be/xSawyXDkNCo http://youtu.be/PfyStp4C-M0 http://youtu.be/8N-AsmAIM3M Лист Соната h-moll си минор и след женщины-композитора: Тема quasi Adagio и Lied Марии Павловны Романовой Тибор Сас Free download of studies on the Liszt Sonata by Tibor Szász http://www.americanlisztsociety.net/SonatainBminorbyTiborSzasz.pdf http://www.americanlisztsociety.net/SonateHMollvonTiborSzasz.pdf www.tiborszasz.de Сас, Тибор Тибор Сас (венг. Szasz Tibor; род. 1948) — пианист и музыковед. Родился в Румынии в венгерской семье, долгое время жил в США, а затем в Германии. Учился в Румынии, впервые выступил с оркестром в 16-летнем возрасте, в 1967 г. выиграл Международный конкурс имени Энеску в Бухаресте. В 1968 г. впервые выступил с гастролями в ФРГ. В дальнейшем совершенствовал своё мастерство в США под руководством Леона Флейшера, Теодора Летвина, Рассела Шермана и др. Получил степень доктора музыки в Мичиганском университете. В 1974 г. удостоен первой премии на Международном конкурсе пианистов имени Капелла. Как исполнитель Сас специализируется, главным образом, на творчестве Бетховена; среди его записей также сочинения Шопена, Листа, Мендельсона, Шуберта, Бартока. Преподавательская карьера Саса протекала в Дейтонском университете и Университете Дьюка, с 1993 г. он является профессором Фрайбургской Высшей школы музыки. Как музыковед Сас опубликовал ряд значительных статей о творчестве Моцарта, Бетховена и Листа — интерес специалистов вызвала, в частности, статья «Символика Божественного и дьявольского у Листа и её раскрытие в программе Сонаты си минор» (англ. Liszt's Symbols for the Divine and Diabolical: Their Revelation of a Program in the B minor Sonata; Journal of the American Liszt Society, June 1984) Работы, рекомендуемые для лучшего понимания генезиса тем и символизма в Сонате h-Moll Листа: Carter, Gerard and Adler, Martin, Franz Liszt's Precursor Sonata of 1849: a trial run in the Master's inner circle, Liszt Piano Sonata Monographs. Wensleydale Press, Sydney 2011. Szász, Tibor « Rapports secrets entre les thèmes de la Sonate de Liszt et un Lied de Maria Pavlovna Romanova », Analyse musicale, 65 (2011, 3e trimestre), pp. 63--74. Szász, Tibor. "Liszt's Sonata in B minor and a Woman Composer's Fingerprint: The Quasi Adagio Theme and a Lied by Maria Pavlovna (Romanova)", The Liszt Society Journal, 35 (2010): 3-27; and The Liszt Society Journal, 36 (2011): 98. Szász, Tibor. "Liszt's Symbols for the Divine and Diabolical: Their Revelation of a Program in the B Minor Sonata." Journal of the American Liszt Society, 15 (1984): 39-95. Szász, Tibor. „Die Fusion von Symbolik und Struktur in Liszts Klaviersonate h-Moll", Tijdschrift van de Franz Liszt Kring (2009-2010): 49-58. Szász, Tibor. „Fingerabdruck einer Frau. Ein Lied von Maria Pawlowna Romanowa und Liszts h-Moll-Sonate", Notenpapier 4, Magazin der Hochschule für Musik, Freiburg (2009): 42-47.
https://wn.com/Beethoven_Piano_Trio_Op.1_No.1,_Tibor_Szász,_Daniel_Foster,_Jeffrey_Butler,_1980_Nov._17,_USA
Beethoven - String Trio No. 2,  Op. 9 No. 1

Beethoven - String Trio No. 2, Op. 9 No. 1

  • Order:
  • Duration: 25:57
  • Updated: 31 Jul 2015
  • views: 31700
videos
Ludwig van Beethoven String Trio No. 2, Op. 9 No. 1 Dedicated to Count Johann Georg von Browne-Camus 1. Adagio - Allegro con brio 2. Adagio, ma non tanto, e cantabile 3. Scherzo Allegro 4. Presto Grumiaux Trio Arthur Grumiaux, violin Georges Janzer, viola Eva Czako, cello Description by Robert Cummings [-] The Op. 9 trios are among the most important early chamber works by Beethoven. Each of the three works consists of four movements, like the then-recent Haydn symphonies. By this time Beethoven may well have been writing in the chamber/string genre as a means of testing his skills in the symphonic realm, which he was a bit hesitant to enter owing to Haydn's dominance of the field. Whatever his motives, he turned out three works whose chamber instrumentation perfectly suits their music. The score to the work was first published in 1798, along with those of the other two Op. 9 Trios. All three were dedicated to Count Johann Georg von Browne, a Russian army Officer (of Irish extraction!) who was one of Beethoven's leading patrons.
https://wn.com/Beethoven_String_Trio_No._2,_Op._9_No._1
Beethoven opus 18 no 3, Allegro

Beethoven opus 18 no 3, Allegro

  • Order:
  • Duration: 6:42
  • Updated: 21 Aug 2016
  • views: 58
videos
https://wn.com/Beethoven_Opus_18_No_3,_Allegro
beethoven opus 420

beethoven opus 420

  • Order:
  • Duration: 2:15
  • Updated: 28 Mar 2014
  • views: 75
videos
these graphiicxs and beats
https://wn.com/Beethoven_Opus_420
Nhim

Nhim

  • Order:
  • Duration: 16:41
  • Updated: 17 Dec 2016
  • views: 239
videos
Sonate Beethoven Opus 2 no.1
https://wn.com/Nhim
Beethoven opus 13 Grande Sonate Pathétique

Beethoven opus 13 Grande Sonate Pathétique

  • Order:
  • Duration: 6:12
  • Updated: 10 Dec 2016
  • views: 27
videos
https://wn.com/Beethoven_Opus_13_Grande_Sonate_Pathétique
Beethoven opus 10 No 1 cherry ggp piano

Beethoven opus 10 No 1 cherry ggp piano

  • Order:
  • Duration: 4:00
  • Updated: 06 Aug 2016
  • views: 5
videos
https://wn.com/Beethoven_Opus_10_No_1_Cherry_Ggp_Piano
×